Edda Glass and her long-time collaborator Max Hatt have “forged a unique sound," says NPR's Larry Groce. Drawing from jazz, bossa nova, and folk, their alternative musical universe stretches effortlessly from award-winning original compositions to reinventions of classics ranging from “Wichita Lineman,” to “Take Five” to ”Falling Grace." But striking material is only half the alchemy— Glass’s hauntingly intimate voice is “one of a kind...you cannot confuse her with another artist," according to the New York Theatre Guide; “She must be heard to be believed,” says Nels Cline (Blue Note, Wilco). Likewise, Hatt’s guitar and pedal work is a swoon-inducing soundscape that “creates a vastness within its quiet,” (Yes! Weekly) and has an “an incomparable spook” (Nashville Scene). Hailed as “mesmerizing,” ”evocative,” and“cinematic,” not to mention “elegantly funky,” they make one feel "both lost and found, all at once" (New York Theatre Guide).
Glass and Hatt have been touring since 2013, appearing on NPR and PBS stations from Seattle to New York City, with tour stops including New York City’s Lincoln Center, D.C.’s Kennedy Center, the Sundance Film Festival, Wilco’s Solid Sound Festival, Earshot Jazz Festival, and the Exit Zero Jazz Festival. In 2022 they received a Jazz Road Grant, funded by the Doris Duke Foundation and the Mellon Foundation, and in 2013 they won the Grand Prize of the NPR/Mountain Stage New Song Contest. They have been awarded official showcases by ASCAP, APAP (UpNext), Arts Midwest, Arts North West, and South Arts. Their latest album, Gray May Day (2023), was co-produced by their frequent collaborator, Pat Sansone of Wilco.
“A unique sound.” Larry Groce, NPR Mountain Stage
“You cannot confuse her with another artist.”
— The New York Theatre Guide
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